Document Type : Scientific-research

Author

A Member of Scientific Council of Asian Cultural Documentation Center for Unesco-Tehran

Abstract

The origin of Ta’zieh (replication of tragic events) could be traced in Pre-Islamic rituals. It appeared after Islam as a religious play, out of inspiration from the tragedy of Karbala, and some characters and stories were added to it in its evolutional process. Ta’zieh script of “Hossein Ibn Mansour Halaj” is one of these conceptual metamorphoses of Ta’zieh in which the embryo of Shams Tabrizi is formed from the blood of the executed Hossein Ibn Mansour Halaj. The main characters of this work are Hossein Ibn Mansour Halaj, Shams Tabrizi, Mowlana Rumi, his daughter and wife. This paper explicates the reason for this conceptual metamorphosis by analyzing the characterization, storytelling and narration in Halaj Ta’zieh. The research findings show that Shams, in a new narration, is the offspring of Mowlana’s daughter and another aspect of Halaj character. The anonymous author of this Ta’zieh script has depicted an Islamic-Shiite and mythological narration representing his familiarity with the life and thoughts of these three great mystics (Halaj, Shams and Mowlana).

Keywords

-        Aidenloo, S. (2012). Study on common Iranian stories. Ketabe Hafte, 77.
-        Baktash, M., & Ghaffari, F. (2004). Teatr-e Irani-se majles-e ta’ziyeh [Iranian theater-three Ta’zieh plays]. Tehran: Ghatre Publications.
-        Beizaei, B. (2012). Namayesh dar Iran [Play in Iran] (8th ed.).Tehran: Roshangaran &Motaleat Zanan.
-        Faghihi, A. (1968). Chegoonegi farmanravayi Azod Aldoleh Deilami [Azod Aldoleh Deilami’s Ruling]. No Place of Publication.
-        Islamic World Encyclopedia (1996) (Vol. 7).Tehran: Islamic Encyclopedia Foundation.
-        Jeihounabadi Mokri, H. N. (1966). Shahnameye-Haghighat prepared by Mohammad Mokri. Tehran: Iran and France Institute.
-        Meskoub, Sh. (1972). Souge Siavash (dar marg va rastakhiz) [Death of Siavash (in death and resurrection)] (2nd ed.). Tehran: Kharazmi Publications.
-        Mowlavi, J. M. (2011). Fiha Ma Fih [It is what it is] (K. Zamani, Ed.). Tehran: Moein Publication.
-        Najjari, M. (2011). Manifestation of Hossein Ibn Mansour Hallaj in mirror of dramatic literature (master’s thesis). Islamic Azad University, South Tehran Branch, Tehran.
-        Najjari, M. (2015). Nowrooz (New-year) plays from past to present in Hamedan [abstract]. In: Nowrooz (New-year) Peace Heritage National Conference. Tehran: Research Institute of Cultural Heritage & Tourism.
-        Najjari, M., & Ahmadnezhad, K. (2012). Hossein Ibn Mansur Hallaj in the mirror of the dramatic literature. Life Science Journal, 9(3), 2225 – 2233.
-        Najjari, M., & Ahmadnezhad, K. (2013). Hallaj in works of Mowlana. Mytho-Mystic Literature Quarterly Magazine, 32, 219-231.
-        Rezvani, M. (1962). Le theatre la danse en Iran. Paris: ‌Maisonneuve et larose.
-        Shafiei Kadkani, M. R. (2009). Ghazaliyat-e Shams Tabrizi [Lyrics of Shams Tabrizi]. Tehran: Sokhan Publications.
-        Shiite Encyclopedia (Vol. 7) (1990). (A. Sadr Haj Seyyed Javadi, et al, Eds.).Tehran: Islamic Encyclopedia Foundation.
-        Sorayya, S. M. (1989). The play “Mansour Hallaj meeting”: An image in mythology. Theater Quarterly Magazine, 6, 7 &8.
-        Yarshater, E. (1988). Ta’zieh  va honar-e boomi dar Iran-e ghabl-e Islam [Ta’zieh and local art in Iran before Islam]. In P. Chelocovski (Ed.), Collection of papers of T’azieh and local pioneering art (D. Hatami, Trans.). Tehran: Elmi & Farhangi Publications.